And it tasted like walnuts. So two days later I noticed a squirrel on the peak of the shop behind the kitchen nibbling away on something, something which kept getting bigger. It was the missing bundle unfurling in the wind as she turned it to nibble the edges. I found the cloth where she dropped it:
All nicely nibbled into a pattern. To preserve her work, I used one of Jude's methods from CWB, which is to just take the whole cloth and slit it where you want to weave something into it. I stitched the squirrel's patterned pieces to a walnut dyed tea towel, which seemed right.
Cutting around the eye/vortex thing below that came out of the same pot on the same day as 'the squirrel incident' (it's a mark made by a huge rusty bearing tied up in cotton), I started cutting in curves. This is another thing Jude taught us in CWB. So these slits, running in parallel but wavering lines, create these shapes that are fascinating me. And the weird warping movement of the thing.
There are twenty things about this so far that I am going to change, but for now it is just so easy to play with. It is almost all found cloth, except for a strip or two of old pillow case (my fern print thing above), some silk from an old blouse of my Mom's, a little yellow sari strip, a patch of linen tablecloth dyed in my indigo jar and a glorious strip of silk from Arlee.
But my favorite thing about this so far is this ivory coloured cloth:
It's a piece of a tent, a former Rag of the Day, that I found tangled up in branches at the river. It's just a fragment of a nylon tent, but it is just my favorite thing. It gives me hope for all of the discarded umbrellas I'll find in the spring.